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- #Tannoy dual concentric gold 15 inch prices driver#
- #Tannoy dual concentric gold 15 inch prices archive#
- #Tannoy dual concentric gold 15 inch prices professional#
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A few of us have got luck, their partners do even accept the little bit bigger versions, the Rectangular York, i.e. This enclosure limits the performance of a 15'' chassis a lot, in particular with the hard edged versions (Gold, Red and Silver) the backwarded compressed air cushion show a extremely limitation of possible dynamics. This size seem to be as well a maximum dimension accepted as a piece of furniture in living rooms from its users. With a size of 85cm height to 52cm width and and a depth of 28cm, the success of this enclosures represents for lots of people already a huge speaker. A vented port in the beginning and a true reflex after Thiele&Small at the end was the most well sold cabinet design for Tannoy of all times.
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This design got widely sold for decades as Lancaster and ended up in the mid 1970ties as strengthened Berkeley of the same size. Additionally Tannoy started in the 1950ties a small universal cabinet line to fulfill the needs of their customers to smaller cabinet sizes, used for the 12'' and 15" units simultaneously. These could be better placed in the room for a improved stereo illusion. With the need for stereo pairs, the range of enclosures was expanded to rectangular versions like the GRF, York and the Chatsworth. Bot design principles are made to reduce the inherent limitations for the lower frequency response of a boxes loudspeaker. The horn used the flanking walls to extend its development. Both types used the backward radiated energy of the cone to be conducted as a supplementary part to the air. In history it all started with corner cabinets for monophonic reproduction, the huge ones were horn designs the smaller acted like vented port enclosures. I think nearly 90% of all vintage Tannoy 15'' Dual Concentric speakers are installed in the typical 120 liter volume ported box. And finally I did want to share my experiences with other Tannoy addicts, because those don't have a lot of choices of cabinets in our culture (may be in Asia, foremostly in Japan there are options for after market enclosures). The uncomparable design of the Tannoy offers opportunities other speakers don't show and these should be respected to find a perfect matching solution. They all have one thing in common, to be originally designed for a different speaker type in mind than the Tannoy Dual Concentric.
#Tannoy dual concentric gold 15 inch prices professional#
There are the well known designs of similar speaker cabinets made in the past: some Altec designs like the VotT-line, the japanese Onkens, JBL, EV, Jensen and some other professional small scale pa-addressed designs for 15'' diaphragm sizes. In the last decades my understanding of "true fidelity" in conjunction with single audio components has been widened by a general respect of each components resonant properties, where the speakers show the most suggestible influence of all of them as to be the final transducers. Instead I was very energetic to find new ways to the naturalness arising from a newer understanding of the loudspeaker to be a resonant musical "instrument". I definetly wanted to leave behind the limitations of the common known vintage cabinets. I did play through in my mind many possibilties, a combined back/front loaded horn design, a vented port cabinet with 200 liters volume or even a bigger sealed enclosure, working as a resonant chamber. Some month ago at the beginning of the design process I did not know, with what sort of cabinet I will come out at the end. These generation cabinets are well made from lumber core plywood, excellent material. Typical Tannoy Lancaster cabinet (sealed version for the 12'' driver), My definition and further undertakings can be understood by the most of yours within this model in mind. cello, brass horns, piano, etc.) is quite similiar to the resonant corpus of the performing transducers (loudspeakers). Here the acoustical resonant corpus of the performing instruments (i.e. My ideal response is orientated as close as possible to live performances of small scale chamber music or small jazz ensembles in limited scaled room conditions. It is best described as a transformation of the electrical signal into a acoustic representation of music, lacking any typical electrical significance or sort of common compressions arising.
#Tannoy dual concentric gold 15 inch prices archive#
reflex, open baffle, sealed, horn development), to archive a foremost natural tonal response.
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My main aim in this process was, independant from any technical design principle (i.e. I concentrated on two nested main questions, the best possible response coming from a living room friendly sized cabinet.
#Tannoy dual concentric gold 15 inch prices driver#
In the last couple of month I have tried to find a solution for the incomparable 15'' Tannoy driver to be used in a sort of universal enclosure.